Heaven and Hell
The first cantica stages ascent as apparel, relic, and social ornament. Thirty studies are visible online from a forty-five-object body produced in Burkina Faso as closed editions.
Purgatory is the practice.
Heaven is the end of the practice.
We choose the practice.
Plate 01 · Novem Imagines
The collection is arranged as three rooms rather than one flat shop. Annunciations carry the cantica into use. Relics strip it back to evidence. Worldly Signs show what survives when devotion enters appetite, fashion, and public life.
Collection Structure
Acquisition is handled as correspondence, not checkout. Each confirmation carries an edition ledger, release photography, and material notes before the first piece ships.
Annunciations
Annunciations carry the cantica into daily use. The objects behave like signs encountered on the way in: garments, soft goods, and small accessories that make the ascent social before it becomes ceremonial.
Enter Annunciations
Relics
Relics strip the series back to evidence. Here the work is less public and more forensic: metal, leather, enamel, and cloth treated as carriers of memory, pressure, and symbolic residue.
Enter Relics
Worldly Signs
Worldly Signs takes the cantica into appetite and display. These objects feel more public, more dressed, and more willing to flirt with status, charm, and pleasure without abandoning the series' moral tension.
Enter Worldly SignsProduction
The public preview uses study renders to sequence the work. Acquisition is not framed as fast checkout but as direct contact, with release photography and edition paperwork shared before the first shipment begins.
30 studies visible online.
45 objects in the first cantica.
Release photography and edition ledgers accompany confirmed acquisitions.