Annunciations · Public threshold
Objects in situation
A room of first contact. These studies are outward-facing, practical, and legible at a distance, giving Cantica I its public threshold.
Curatorial Note
Annunciations carry the cantica into daily use. The objects behave like signs encountered on the way in: garments, soft goods, and small accessories that make the ascent social before it becomes ceremonial.
Studies
10 objects in Annunciations.
The first ten studies present Cantica I as apparel, utility, and offering.
Study 1 · Annunciations
Purgatory Banner
A threshold object that turns ascent into heraldry before the collection resolves into individual studies.
Study 2 · Annunciations
Pilgrim Cap
An everyday cap cut with the language of pilgrimage, reducing the cantica to a worn public sign.
Study 3 · Annunciations
Purgatorio Key Tag
A portable marker for the series, treating the passage between rooms as part of the work.
Study 4 · Annunciations
Twin Marker Charm
A compact emblem in two tones, carrying the collection's split moral charge into jewelry scale.
Study 5 · Annunciations
Pilgrim Scarf
A soft-goods study that lets the cantica travel as cloth, image, and surface rather than object mass.
Study 6 · Annunciations
Purgatory Tote
A carrying object that turns the collection's iconography into utility without losing its charge.
Study 7 · Annunciations
Seven-Terrace Cord
A corded study that compresses the ascent into sequence, count, and touch.
Study 8 · Annunciations
Cantica Card Holder
A small leather object that frames the cantica as something carried close and handled often.
Study 9 · Annunciations
Ash Gloves
A pair of gloves that push the series toward contact, residue, and the body's place in the climb.
Study 10 · Annunciations
Woven Throw
A domestic-scale study that lets the cantica settle into interior life without becoming decorative background.
Other Rooms
Continue through the cantica.
Each room changes what the collection is allowed to mean in public.